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Cadence And Counterpoint: Documenting Santal Musical Traditions

Writer : Johannes Beltz

Edited By : Marie-Eve-Celio-Scheurer

Compiled By : NA

Translated By : NA

Publishers : Niyogi Books India

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  • Genre : Art & Culture>Dance & Music (including Folk Songs)
  • Publication Year : 2013
  • ISBN No : 978-93-83098-92-7
  • Binding : Flexibound
  • Pages : NA
  • Weight : 630 gms
  • Height x Width x Depth : xx Inch
MRP : ₹1595.00/- Discount : 20% Off
Your Price : ₹1276.00/-

About the Book

The Santals comprise the single largest tribal community in India. Though spread across the eastern states — Jharkhand, West Bengal, Odisha, Bihar and beyond — they form a distinct geography and culture.\r\n


The Santals are best known for their rich traditions of dance and music, especially the latter, which has influenced mainstream music in India. Their very distinct culture has attracted researchers, scholars, travellers and explorers into their midst, who have brought back Santal stories and objects.\r\n


The exhibition presented three types of objects related to the Santal musical tradition. The first are the musical instruments, amongst which is the most important Banam. A bowed monochord and the only Santal instrument to be categorized as a chordophone, the Banam is carved out of a single piece of soft wood.\r\n


Also displayed were the drums, the Tamak and the Madal, and different flutes, of the Santal community.\r\n


The third set of objects in the exhibition was the Jadupatua, or scroll painting. While these paintings are not made by the Santal, they are made for them by another community.\r\n


An important part of the exhibition was the documentation of Santal traditions over time. Photographs, some taken by well known musicologists such as Alain Daniélou and Deben Bhattacharya, document the Santal community from 1950s onwards. Original audio records from 1914 and videos, from the late 1960s up to the present time, were also part of the documentation.

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