This monograph’s venture is to analyse the book covers based on the city of Kolkata through linguistic, spatial and visual design modes. Whenever it attempts to decipher a cover in monomodal parameters, other modes come jostling together to form a braid-like pattern of the city on the covers with the tripartite (Textuality, Visuality, and Spatiality) treasure. The modes always overlap and intersect with each other to evoke the meaning of the cover properly. The book covers discussed in this monograph stem from the interplay of denotative dynamism and connotative confluence of textual parameters, visual referentiality of images, and cartographical and photographic spatiality of Kolkata. The book covers not only help excavate the hidden stories of the city through ‘logoiconic communication’ but also effectively exert a definitive dimension with all the enumerated explorations possible.